All Lowell's sculptures and ceramics are hand built so there is no sense of symmetry. Much like the Japanese pots, they have been making for centuries; influencing him to experiment also with the use of scale, bring contrast into the mix, from a large moon jar to quite petite vessels. As well as using colour to his advantage, light and dark, Yin and Yang. Helping to provide a real sense of earthiness and rawness which is what he tries to pull towards and convey through a grounding power in these objects.